I am a multidisciplinary artist working across dance, performance, and lens-based media. My practice investigates the relationship between time, trauma, and transformation, unfolding through a quiet dialogue between body, landscape, and duration. Through movement, stillness, and durational attention, I explore how the body—human and more-than-human—becomes a site of memory, rupture, and resilience.

Grounded in somatic awareness, my work emerges from an inquiry into the nonlinear temporality of trauma and the body’s capacity to reorganize perception through embodied time. I am interested in how depth of felt experience can arise through repetition and temporal containment. Respecting intuition and trusting the traumatized body operate in my practice as acts of reclamation, reshaping relationships between agency, perception, and presence.

Conceptually, I work with time as both internal and external: perception as an embodied experience of time, and matter as the field through which time becomes visible. I engage duration, cycles, and repetition as structures that allow transformation to unfold without reliance on a linear narrative arc. These temporal frameworks create continuity and spaciousness, allowing the work to insist on its own change over time.

My choreographic research focuses on the body’s internal sense of time. Through endurance, repetition, and cyclical forms, I disrupt linear temporal codes and open alternative modes of sensing. Each work functions as an experiment in how the body can hold, release, and transform time—understood not as a neutral container, but as a somatic and psychological field that can be stretched, softened, or reconfigured through sustained attention.

Across performance and related image-based practices, I attend to the porous relationship between body and environment, using stillness and minimal action to foreground subtle shifts in sensation and perception. Ultimately, my work seeks to create conditions where duration and presence allow for reorganization, resilience, and new forms of embodied understanding.